Visual Arts Stocks List
Symbol | Grade | Name | % Change | |
---|---|---|---|---|
GGG | B | Graco Inc. | 1.22 | |
KAI | B | Kadant Inc | 4.01 | |
FLXS | B | Flexsteel Industries, Inc. | 0.27 | |
EXP | B | Eagle Materials Inc | 2.94 |
Related Industries: Apparel Manufacturing Building Materials Business Equipment Computer Hardware Consumer Electronics Diversified Industrials Electronic Components Furnishings, Fixtures & Appliances Home Furnishings & Fixtures Home Improvement Retail Industrial Distribution Internet Content & Information Specialty Chemicals Textile Manufacturing Tools & Accessories
Symbol | Grade | Name | Weight | |
---|---|---|---|---|
PKB | B | PowerShares Dynamic Build & Construction | 6.19 | |
NBSM | A | Neuberger Berman Small-Mid Cap ETF | 5.92 | |
TINT | D | ProShares Smart Materials ETF | 5.3 | |
FMCX | B | FMC Excelsior Focus Equity ETF | 3.98 | |
PRN | A | PowerShares Dynamic Industrials | 3.64 |
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- Visual Arts
The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, and architecture. Many artistic disciplines (performing arts, conceptual art, textile arts) involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.Current usage of the term "visual arts" includes fine art as well as the applied, decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' was often restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.
The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions painting has been seen as relying to the highest degree on the imagination of the artist, and the furthest removed from manual labour – in Chinese painting the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes.
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